| 1. | A glass prism, turning around its vertical axis, |
| 2. | changes into a glass ball and |
| 3. | finally into a glass sphere. |
| 4. | The glass turns into water, |
| 5. | the sphere into a lake, |
| 6. | which begins to ripple, |
| 7. | on its surface the leaves and yellow flowers of water lillies are revealed. |
| 8. | Life in the water; fish, |
| 9. | a pike sits on a reed, lying-in-wait for a fish |
| 10. | the pike devours a fish, |
| 11. | deep waves of water, |
| 12. | a fishing line gliding along the surface, |
| 13. | a fisherman pulls at it, |
| 14. | at its end is the pike. |
| 15. | The lake enlarges, |
| 16. | until a very high, aerial photograph of Lake Constance is seen, with Swiss glaciers to the south and the German lowlands to the north. |
| 17. | A steamboat, sailing along and belching puffs of steam. |
| 18. | A quick zoom-in of the white deck of the steamboat: |
| 19. | passengers, |
| 20. | who are throwing pieces of bread to sea gulls. |
| 21. | The steamboat nears a harbor, |
| 22. | a large cloud is shown, |
| 23. | an intense rain shower |
| 24. | the harbor |
| 25. | freeze-frame of harbor and boat, zoom-out. |
| 26. | until it is revealed that everything was a mere illustration on a glass ashtray, on which granules of cigarette ash are falling, |
| 27. | as the zoom-out continues a hand is revealed, holding a cigarette, |
| 28. | then the man, who is sitting and holding it, |
| 29. | then a woman sitting opposite him holding a tennis racquet, |
| 30. | until they are seen to be acting out a scene on a stage: |
| 31. | of a theater, |
| 32. | in which, at the end, remain only a lady with a pair of opera glasses |
| 33. | and then only a pair of large opera-glasses.
1924 |
Pásmo (Poetist homepage)
Poetist Manifesto |
Pierot the Cyclist |
Train Ride |
Harbor |
Rocket (film script) |
A Glass Poem (proposal for a lyrical film) |
Adieu
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