I.
he histories relate that Chao Cheng's first acts on taking control of the
western kingdom of Ch'in from the regent Lu Pu-wei were to banish him
and order his advisors executed. He then began a military campaign at
turns brutal and devious, which culminated in the unification of the Seven
Kingdoms. He made his capital at the walled city at the centre of the world
and bestowed upon himself the sacred title Shih Huang-ti, first sovereign
emperor.
Every year he would set out on a tour of the empire. The original purpose
of these tours was to inspect the progress of the Great Wall, the Canal, or
some other public work, but as the emperor grew older and became
increasingly obsessed with his approaching death, they became quests
for ways in which to prolong his life. He visited temples, making sacrifices
to the local gods, calling them to witness his deeds and begging them to
favour him with longevity. He called magicians and alchemists of renown
to his capital to continue their search for the elixir of immortality within
its walls.
As the emperor became less interested in affairs of state, rebellions
broke out. These were quelled mercilessly. Assassination attempts
became commonplace. The emperor became isolated within his vast
palace, surrounded by his advisors and magicians. He attempted to
obliterate the past, burning all books except for those dealing with animal
husbandry, agriculture and prognostication.
Eventually he began to doubt that his magicians and alchemists were
capable of granting him eternal life. He realised that before he died, if die
he must, he must accomplish two things. He must secure his earthly
reputation for the future, and he must make himself a place in which to
pass eternity.
The emperor summoned his scholars, ordering them to compose the
history of his incomparably splendid reign and the chaos from which it
had sprung. He summoned his geomancers and ordered them to determine the most
propitious site for his eternal resting place. They wandered the empire,
performing their long, complex divination rituals, finally returning with the
verdict that his tomb be built at the end of a labyrinthine cave at the foot
of a cloud-wreathed mountain, far to the west. He summoned his architects and ordered them to design a tomb containing everything he might need in the afterlife. They returned after a year and nervously displayed the fruits of their labour to the emperor. They
envisioned a vast subterranean palace, inspired by the emperor's current
abode and laid out in accordance with the pattern of the cosmos. It would
contain wide halls, numerous courtyards, fountains, libraries and
storehouses of treasures. Within its walls would be quarters for the many
subjects, including magicians, scholars, advisors and guards, who would
accompany the emperor in the afterlife. With a satisfied nod the emperor
approved the plans. Relieved, the architects withdrew.
II.
eep within the chosen cave at the foot of the cloud-wreathed mountain,
ivory gates were erected. Beyond them would be carved the halls of the
emperor's palatial tomb. Legions of slaves armed with pick and shovel
toiled and sweated, overseen by the architects, who were in turn overseen
by the emperor, who now left his palace only to make the arduous journey
to the construction site.
After a decade the splendid tomb was completed. The architects led the
emperor, now a stooped old man, and his advisors through its halls.
When they came upon an empty library, the emperor asked what it would
contain. The architects looked askance at the advisors, who calmly
replied that the history being composed by his scholars would form the
basis of the collection, but that the scholars entombed with the emperor
would continue to write the history of the afterlife, that this history would
come to dwarf the other. The emperor considered this, eventually asking
what they would write on. The architects, pleased to be able to answer,
replied that a wide storeroom for silk and a deep reservoir for ink had
been dug beside the library. The emperor considered this, finally asking
what would happen when they exhausted the supplies of silk and ink, for
surely time is endless while the supplies are not. The architects looked
askance at the advisors, who could find no answer. It appears, they
ventured to admit, bowing low, that there has been an oversight. It will be
remedied before your next visit.
The problem facing the architects was how to contain the infinite within
the finite. The solution that occurred to them was to include within the
tomb means of producing those things required in infinite quantities. In
order to produce ink, certain molluscs and plants were necessary, as well
as artisans skilled in their preparation. Provision would have to be made
for the artisans. Great basins of salt water would have to be created for
the molluscs, as well as greenhouses for the plants. Silk required
silkworms and moths, looms and weavers. Again, provision would have
to be made. Then the advisors pointed out that the scholars would need
brushes with which to write. Brushes required camel hairs for their
bristles and hence camels. A sandy enclosure would have to be
prepared. The architects, believing that they had solved all of the
problems, began to alter the tomb. Unsatisfied, the advisors continued to
ponder, raising more problems. They pointed out that leather wears out,
that wood rots or becomes brittle, that other things hitherto deemed
imperishable would, at some point in the future, have to be replaced.
News came that the emperor wished to inspect his tomb. The advisors
looked at each other fearfully and sent a reply, begging him to delay his
visit.
The solution of the architects was to have the slaves excavate a vast
cavern enclosing the palace. They suspended a powerful lamp from the
cavern ceiling to imitate the sun. They had soil spread upon the rocky
floor. They had a subterranean river diverted to irrigate the subterranean
pastures. They ordered the necessary trees and crops planted, the
necessary animals introduced.
As quickly as the architects were able to find a solution to a certain
problem and order the slaves to make a certain modification to the tomb,
the advisors exposed new shortcomings. For every problem solved, a
dozen new ones appeared.
Again word came that the emperor desired to visit his tomb. Again the
advisors implored him to delay his visit. They knew that he would not
accept a third delay. They called for more slaves. The pace of the work
increased.
As the slaves and architects toiled, the advisors began a list of all the
things that the tomb must contain. The list lengthened steadily; they found
themselves unable to bring it to an end. It became increasingly clear that
everything in the world is related to every other thing. The architects found
themselves in the unenviable position of having to recreate in miniature
the entire world. The cavern was enlarged until it included cities, plains,
mountain ranges, deserts and seas, all radiating from the original palace.
The palace too was modified. It included a wing to be occupied by
architects, whose presence would be necessary in the afterlife should any
shortcomings in the tomb's design become evident. The original lamp
was replaced by a new, brighter one that ran on rails across the cavern
ceiling, imitating the movement of the sun. Another mobile lamp, fitted
with elaborate shutters allowing it to wax and wane, imitated the moon.
Astrologers advised the architects on the placement of smaller lamps that
would burn only at night.
Finally, just before the emperor was due to visit, the tomb was completed.
The histories relate that on that last night, the architects and advisors
inspected their handiwork. That when they stood upon the shore of the
eastern sea and saw the sun rise over the restless ocean, the architects
wept with joy at the perfection of their creation and the advisors fell to
their knees, finally realising that the enterprise in which they had participated
was blasphemous.
III.
he histories that survive agree that the emperor died shortly before his
tomb's completion and that his empire rapidly descended into chaos.
They do not agree as to what befell the emperor's body and his tomb.
Some histories tell that the architects and advisors emerged from the
labyrinthine cave to find members of the emperor's funeral procession
searching for the tomb entrance, that the chosen subjects carried the
emperor's body through the ivory gates into the palace at the centre of the
tomb, and the gates were sealed behind them.
Others histories maintain that the emperor's body never reached his
tomb. Some of these state that his funeral procession never arrived, that it
was lost in the mountains or ambushed by bandits, that his body was left
in a hastily dug, unmarked grave. Others maintain that his funeral
procession never even set out. That the emperor's body was left within his
capital while chaos raged beyond the walls. Some of these histories
mention that the architects and advisors, waiting at the cave mouth, heard
news of the collapse of the empire and realised that the emperor's body
would not arrive. That instead of returning to their homes they preferred to
re-enter the tomb and seal the gates behind them. These histories
speculate that the descendants of these architects and advisors continue
to inhabit that tranquil paradise. That they may have forgotten that the
perfect world they inhabit is not the true one.
Still other histories insist that after many adversities the emperor's
funeral procession finally arrived, but that the burial did not go according
to plan. That the subjects to be entombed with the emperor found him
less terrifying than in life and no longer felt compelled to pass eternity
with him. That they deposited his body within the tomb and withdrew to the
world. Some of these histories even claim that when these subjects went
to deposit the emperor's body in the tomb, they were disoriented by the
turnings of the labyrinthine cave. That when they believed they were
entering the tomb, they were in fact returning to the world, and when they
believed they were retreating to the world, having sealed the ivory gates,
they were in fact entering the tomb. That they continue to occupy the tomb,
believing it to be the world. These histories also pose an interesting
question. How can we conclusively prove that the world we inhabit is truly
the world, and not the vast tomb of Shih Huang-ti?
The histories agree that the ivory gates have been lost. Myriad
expeditions have failed to rediscover their location. They must lie either at
the end of a labyrinthine cave at the foot of a fog-wreathed mountain, or in
a vast and crumbling palace. Generations of poets have exhausted
themselves speculating on what a successful expedition would find upon
forcing open these gates, and entering the tomb that is a world, or the
world that is a tomb.
Benjamin Williams lives in Wellington, New Zealand. A
story in a similar vein to this one appeared in
Southern Ocean Review.
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